Jason Christopher, LA Commercial & Fashion Photographer Bio

A photographer friend of mine recently came to me very frustrated.  He is very good at shooting lifestyle, commercial, weddings and let’s call it commercial fashion.  On his website he had all these sections up.  He asked for my advice and opinion on what I thought.  I told him to narrow down to two – three categories of photography that you really love.  Don’t think about how much they pay, or how much they don’t pay, just shoot what you love.

I told him this is something we all go through in the beginning of our careers.  He was concerned and insecure because he doesn’t know what he loves the most.  Eventually I told him you will know what you love the most.  It took me three years to finally know in my heart that I love shooting fashion and beauty.  But not just fashion and beauty, fashion and beauty advertising.  It all works out.  When we first start shooting, we literally have to get to know ourselves again, but this time we have to get to know ourselves as a creative.  We go through growing pains, emotional let downs, the highs and the lows.  Trust me, every single photographer out there who is working has gone through this process.  It’s a friggin roller coaster and you know what ?  It sucks !  It really does.  I mean come on, can you really say in your heart that you loved your teen years as a kid ?  Hell no ! But eventually we grow up, well MOST of us do lol.  And we find our way.  The path opens up right before our inner eyes and heart.  Sometimes it takes a road trip all by yourself and just shoot.  Shoot whatever you think is cool, beautiful, weird or whatever !  Just shoot !  Take at least three days and just drive.  No destination in mind, no preconceived notions.  Just drive and stop when you want to and shoot.  If it’s a stupid cactus or a stupid wood fence and you think they look cool, shoot them !  Take your digital camera but also take a film camera.  Yes that’s right a film camera.  It’s time to grow up !  I can guarantee that when you return from your little trip, you will feel totally different.  Will you have found yourself ? I don’t know.  But if you don’t, take another road trip.

The voyage of self discovery is something that every creative goes through and listen to this, you will go through ANOTHER voyage of self discovery again in your career and probably another time too !  That’s ok though.  As creatives we don’t ever want to get stuck in a rut.  We feel stale and useless.  I will mention my very good close friend and celebrity fashion photographer Jerry Avenaim who coined the phrase voyage of self discovery.  He had his own voyage of self discovery early in his photography career.   To this day he still goes through discoveries here and there.  I do, my other colleagues do, actors do, you name it.  If you are a creative you will always continue to develop.

The reason I am talking about this is that as photographers you MUST shoot what you love.  If through your own voyage of self discovery you find that you have changed, then go with it.  Never forget this though; clients will hire you because they love your style.  It could be your lighting style, the way you pose your models, the emotion you evoke from your models or it could be that they don’t even know.  All they do know is that when they look at your portfolio, it grabs them and never lets go !  And that is the photographer they want to shoot their next campaign, look book, catalog or whatever.  Your passion for what you shoot does show in the photo.  The photo that you produce is in some way an extension of you !  Yes !  It’s true !

So as I leave you with these words of wisdom, don’t make growing up complicated.  Trust your own gut.  I will be 41 Dec. 6th and I can tell you that my guy has NEVER ONCE been wrong, NEVER !

I want to know your thoughts on this.  I want to hear all your voyages of self discovery.

This photo by the way was one of my first photos I ever shot with a real model.  It isn’t really fashion but it is by far the most popular photo I have ever taken.  It is a photo that gets me very much work because you FEEL when you look at it !

Beautiful Ballerina

I recently learned something new in my fashion photography career, yes even at my stage of this business I am still learning.   I won’t say the client’s name however, I am really upset and also upset with myself.  Here is what happened.

I shot a very high profile person/celebrity and the shoot went great.  They had their own retoucher do post.   The contract covered everything so I thought.  I left out one phrase.  That phrase is :  Photographer shall receive all digital retouched files. I didn’t include this in the contract because I have never had to.  The clients always send me the retouched high res files without me even asking !  But what I learned this time was that every client is different and some don’t realize that it is common courtesy to give the photographer his retouched files.  Legally the client does not have to hand those over, however it has never ever been a problem.

So long story short I have been going back and forth with the client trying to work something out.  It’s not just me that needs those files, it’s my team, hair, make up, wardrobe and the models !  The bottom line is that in our business there are no set contract terms.  Everything is negotiable except for the fact that the photographer owns the rights to the photos.  Their reply was that I have the photos so why do I want the retouched photos ?  Well you would think that is a “duh” kind of answer however, they don’t see it that way.  Will I end up getting them ?  I don’t know, but I sure as hell am trying.

Photographers of all types listen up !  It is time to STOP hoarding all your “secret” information and START to share it !  I am very upset and disappointed in many photographers today because they think they are Gods gift to photography and that the technique and information they have is exclusive to them only.  They think that they are the ones who invented the god dam light bulb and I am TIRED AND FED UP with that kind of thinking.  There is nothing out there that hasn’t been done. The difference is how each photographer adds his or her twist on the concept.  I could light the shot, shoot 10 frames, then you shoot 10 frames and our images will be totally different.

I bring this up because I can’t tell you how many times guys call me or email me asking for advice and I can hear the apprehension in their voice as they must sit there quivering with fright whether or not I am going to be a total dick and bite their head off.   Then when I begin to speak and give them every ounce of energy and information I have they loosen up so much you would think we are best friends.  Then they tell me how many other shooters they have called and all they get are answers like “learn it yourself” or “I’m not your mother” or literally the photographer will just hang up on them !

So the other day a very nice gentleman named Kevin  emailed me with some questions about contracts and business essentials. I emailed him back & told him to call me because there is sooooo much information that I would be sitting at the computer for days.  So anyway he calls me the next day and talked about many things.  I told him how important it is to have a contract, deposit etc.  He asked if I would email him one of my contracts and you know what ? I emailed it to him right away.  He was so happy and thankful.  And I was happy as well  because hopefully it will bring his business standards up to par with mine and my colleagues and the next time I get a call for a project the client will know what to expect.

For example, usage rights, terms, day rates etc. I am embarrassed that MOST of the new guys don’t know to charge for usage and they don’t even bother to find out !!!!

When I started in this business the internet didn’t even exist and I found out all I needed to know WITHOUT even going to school.  Now  that we have the internet please give me ONE reason why ANYONE cannot find out what they need to know about photography or anything for that matter.

So now that Kevin has information about how to write up a contract and how to charge usage fees and day rates do you think that I will be put out of business ?  Hell no !

This bullshit of everyone being so closed minded and protective of  any info like locations, rates, technique etc. is THE reason there will never be a photographers union.  Think about it people.  In the movie industry there are unions and they are a good thing.  Christ there are location resource books and prop resource books and even technique books that DP’s share with each other and there has never been a problem.

So I am here to get tough with you all and say… grab your balls, DROP your egos, study, learn, research, share your talent and make friends.  In the long run you will be better off because you WILL make the rates you are supposed to make like I make and my colleagues make.  But if you keep this behavior up you are only f * * king it up for yourselves for the future because you will never know what it feels like to make VERY good money and be paid very well for what you are good at.

Now go ahead and hit me with all ya got !  I’m ready to take it on !  lol

jerry avenaim and jason christopher fashion photographers

My recent fashion swimsuit photography shoot at the beach was amazing.  I happened to get my hands on some behind the scenes photos taken with a cheap point and shoot but they give you the idea.   Now when I say we had a 100 foot RV I didn’t measure it but as you can see it was damn long !  We had the art directors, model, make up and hair artists, crew etc. all fit in quite nicely.  When shooting on location where you know it will be uncomfortable for the models, your crew and everyone you really need to rent an RV.   A well fed and warm crew is a happy crew !  In one of the photos you see me standing there with a stand in while the model stayed warm in the RV.   Unfortunately no one took any photos of me shooting        LOL  the story of my life.

RV used for our night photo shoot

Art Directors for the photo shoot

fashion model getting her make up applied

When planning a photo shoot the art director and photographer will make a story board of each scene to be shot.  In this story board you see a photo of the location, the swimsuits that the model will wear and the accessories such as jewelry.  Everything is planned out days before the photo shoot so everyone knows exactly what is going to happen.  You end up with a photo shoot that runs smooth with hopefully very little problems.

storyboard for night swimwear photo shoot

Then when it comes time to set up the lighting you need to have a stand in.  A stand in is very helpful because you can get your light set up pretty close to perfect while the model is getting her make up changed and changing clothes.

Stand in used for setting up the lighting

Just remember the more prepared you are the smoother your photo shoot will go.  The end result is a very pleased client that will call you back for another photo shoot.  If you like this post and think other photographers or anyone else associated with the photography business would find this helpful please click on the share buttons

There are so many topics I could cover within this blog that I could drive myself crazy.  That is why I started this post.  Any questions you have about fashion photography, portrait photography, wardrobe styling, make up artists, shooting agency models, portfolio discussion, portfolio review etc. ask me here.  It will benefit us all !     So let’s see how long we can make this post.  Just reply with a question and I will answer it.  And remember to click the RSS feed to keep up to date with everyone’s questions and answers.  Also if you feel that any of  the social networks would benefit as well then please click the icons below.  Thank you everyone !

Had another great private photography workshop last weekend with a super nice guy who came allllllll the way out from Ottawa Canada !  He also signed up for three days not just the two days !

The first day of the workshop I went over portfolio set up, size of prints, how they should be organized etc.  I say “they” because you should have a portfolio for each one of your specialties.  Dave has only been shooting for 4 months and he is very good.  Aside from being creatively talented you must also know the business and how it works.  I explained contracts and what should be included.  We talked about how to get real models to shoot for your portfolio, how to direct them etc.  I also covered tax write offs and most important I taught him about usage !  USAGE USAGE USAGE !    Dave had no idea he should be charging usage fees.  So I really covered many areas on the business side that will increase his business sales.  I then prepped him for the shoot with the model on the second day.

Most photographers these days when they are just starting out will build an in home photography studio which is a great idea.  But many really don’t know how to go about it to make it practical and useful for everyone on the team, make up artist etc.  So instead of renting a studio we shot in my home studio.  We started the day with showing Dave how to direct a make up artist, what looks good with certain outfits.  My make up artist explained about the different foundations etc.  Dave gained a wealth of information seeing how I have set up my studio and how I have made it work for me.  So I shot the model first.  It was a great way for Dave to observe how I direct the model, what I say to the model, and basically how I conduct a fashion shoot.

So now you can see my in home studio.  Obviously for large commercial shoots I rent a very large photography studio in LA, but for workshops, head shots etc. you’re in home studio will work perfectly !

You can see that we used a two light set up.  That light that is facing Dave is for the flare.  And here is the final shot not retouched btw.  Dave did a great job and absorbed everything I taught him.  Stay tuned for the third day !

A buddy of mine took this photo of me. We were trying to photograph the dolphins. I was on my 100mm lens which was much too short.

PRIVATE FASHION PHOTOGRAPHY WORKSHOPS

• Two day  private workshop one on one with Jason Christopher.
• Learn at your own pace.  I will tailor your workshop to your needs.
• Each day will include a model and make up artist.
• You will learn MY lighting techniques and styles that apply to fashion advertising photography and  editorial photography.
• You will learn how to direct a model and take control of  YOUR shoot.
• One day in studio lighting and one day outdoor location lighting.
• Hands on experience by actually shooting the model and you take home hi res images on a DVD !
• Learn how to get models from agencies, marketing yourself and business tips such as usage for your images, how to use contracts and negotiate.

Book your two day workshop now for $2,000.00 For your convenience you can use Pay Pal to reserve your workshop for $250.00

PH: 818-889-9559 EMAIL: jason@jasonchristopher.com  Please call with any questions or email me direct.

beauty photo lighting set up

Beauty photo from photography workshop

UPDATE: My private photography workshops are going strong !   A wonderful woman Sofia, came all the way up from Mexico.  She is more of a portrait photographer but also wanted to learn a little bit of fashion so we shot in studio and outdoors.  I took her to the Peter Strauss Ranch in Agoura Hills.  Instead of lugging a bunch of lighting gear out there she wanted to learn how to use an on camera flash.  When we first start out we don’t always have the resources of getting an assistant.  So for this shot we mounted her flash on a light stand.  I also mounted a 3 foot by 2 foot white board to the stand and bounced the flash into the board. So we ended up with a nice soft light that didn’t look like harsh on camera flash.  The stand was about 4 feet away off camera left and about 4 feet away from the model. This photo has NOT been edited, it is right out of the camera.

fashion model for photography workshops

This next photo is of Sofia shooting Olga the fashion model.  Sofia was shooting with Nikon gear and her on camera flash with a Stofen cover on the flash head.  We all had a great time and Sofia learned many new techniques that she will implement into her shooting without having to spend a fortune on gear and also Sofia learned that shooting alone without an assistant is VERY possible.

UPDATE : !   Had another great private photography workshop last weekend with a super nice guy who came allllllll the way out from Ottawa Canada !  He also signed up for three days not just the two days !

The first day of the workshop I went over portfolio set up, size of prints, how they should be organized etc.  I say “they” because you should have a portfolio for each one of your specialties.  Dave has only been shooting for 4 months and he is very good.  Aside from being creatively talented you must also know the business and how it works.  I explained contracts and what should be included.  We talked about how to get real models to shoot for your portfolio, how to direct them etc.  I also covered tax write offs and most important I taught him about usage !  USAGE USAGE USAGE !    Dave had no idea he should be charging usage fees.  So I really covered many areas on the business side that will increase his business sales.  I then prepped him for the shoot with the model on the second day.

Most photographers these days when they are just starting out will build an in home photography studio which is a great idea.  But many really don’t know how to go about it to make it practical and useful for everyone on the team, make up artist etc.  So instead of renting a studio we shot in my home studio.  We started the day with showing Dave how to direct a make up artist, what looks good with certain outfits.  My make up artist explained about the different foundations etc.  Dave gained a wealth of information seeing how I have set up my studio and how I have made it work for me.  So I shot the model first.  It was a great way for Dave to observe how I direct the model, what I say to the model, and basically how I conduct a fashion shoot.

So now you can see my in home studio.  Obviously for large commercial shoots I rent a very large photography studio in LA, but for workshops, head shots etc. you’re in home studio will work perfectly !

You can see that we used a two light set up.  That light that is facing Dave is for the flare.

And here is the final shot not retouched btw.  Dave did a great job and absorbed everything I taught him.  Stay tuned for the third day !

The third day of our fashion photography workshop involved learning how to light on location mixing the sun with your off camera flash and really using it off camera instead of mounting it on your camera.  One of the really cool things we did was mounted Dave’s Canon flash on a c-stand bounced into a Photoflex umbrella !   One of the benefits of mounting the flash to a c stand with the arm is that you can boom it out at any angle you want and of course you don’t end up with a photo that looks like you used harsh on camera flash.

We spent the whole day experimenting and just shooting, shooting and shooting.  I would observe Dave as he photographed the model and suggest different things to say to the model as he was shooting.  We had a nice lunch and ended up with great photos.  Dave is a great guy and learned so much.  Dave gave his testimonial however if there is something specific you would like to ask him about his three day workshop please don’t hesitate to email him.  His email is dave@daveclee.com and as always I encourage you to email or call me if you would like more information.

So I just shot some new beauty photos. Most photographers use a beauty dish, however they can be expensive, especially for a photographer who is just starting out. What is the solution ? This photo was shot with just one small umbrella, a small silver reflector at breast level, and a strobe hitting the background with it’s regular 7 inch reflector attached for separation. I placed the umbrella camera right about 2-3 feet above model’s eye level. Of course you need to tell the model to be aware that this is her ONLY light source so do not turn your face away from it. Any good model of course would know this. This was shot at 125th @ F/8 , 100 ISO. The make up and hair artists were standing by right next to the model ready to jump in and make tiny little adjustments to hair and make up. When shooting beauty like this, it is VERY important to pay attention to EVERY detail, thus my team was stepping in every couple of minutes or so adjusting something.

This is a wonderful model with perfect skin.  I lit her from underneath with a medium strip bank from Photoflex.  Then I place a medium softbox above her and a little bit in front of her.   Shot digitally with my Canon 1DS and a 100 mm 2.8 lens.  What makes this shot amazing is the model’s expression.

How does a photographer pull that from a model ?  Ahhhhhhhh the question of all questions.  My answer is simple.  TALK TO YOUR MODEL CONSTANTLY.    Keep telling her how beautiful she is, how amazing she is.  Throw out adjectives like, vulnerable, shy, nervous, sexy, timid, diva-like,  I think you get the idea.  A great model is a great actor as well.