Jason Christopher, LA Commercial & Fashion Photographer Bio

There are so many topics I could cover within this blog that I could drive myself crazy.  That is why I started this post.  Any questions you have about fashion photography, portrait photography, wardrobe styling, make up artists, shooting agency models, portfolio discussion, portfolio review etc. ask me here.  It will benefit us all !     So let’s see how long we can make this post.  Just reply with a question and I will answer it.  And remember to click the RSS feed to keep up to date with everyone’s questions and answers.  Also if you feel that any of  the social networks would benefit as well then please click the icons below.  Thank you everyone !

Hi Gilbert, this is for you   I love it ! Thank you for the GREAT questions and requests.  This is the feedback that is nice to get because I really want to make everyone happy.  This is exactly what I want from everyone. Interaction, communication is a two way street.  Ok so check out the photo lighting diagram below.

Photography lighting diagram

I tried something different this time by actually putting the shot in the diagram.  Tom, thank you for the compliments. I apologize for not posting in awhile.  I’ve been slammed with shooting which also means I have a ton of content to write about.

The soft box was pointed at the model of course and angled down to produce a nice sculpting effect.  It was placed on a c-stand about six feet sway from the model.  I was sitting on the beach sand right under the soft box.  I could have lit the totally dark background but my client wanted it to go totally black so that’s what I did.  I offered my suggestion but in the end the client has the final say.  I didn’t use another light to hit her hair because in MY opinion it would look too much like glamour lighting.  With fashion lighting you don’t always want your lighting to look “perfect”, like it was a template you used from a “how to” book.  When shooting portraits that’s different.  As you can see the rock right behind the model is lit so that gave me some separation with her hair.

The pack I used is a Profoto 7B and yes I had a second battery that was sitting in the charger and I eventually had to use it.  I didn’t use a generator because the state charges alot extra to use one and the permit was already $1,200, which included a state park ranger with us the whole time and a lifeguard.  If the shoot was during the day the permit would only be $65 because you aren’t required to have a ranger and a lifeguard there the whole time.  BTW the county says that if ANYONE on the crew is going to be in at least ankle deep water a lifeguard must be with you the whole time.  Remember this is only for a night shoot.

Morgan did have a robe and between lighting set ups she had a nice warm 100 foot RV to relax in and fresh coffee which I took advantage of as well while my assistants set up the next shot.    Now as we were shooting there was no way for her to stay warm.  That comes from her own inner strength and me constantly talking to her to keep her mind off the cold.

The power output varied from each set up.  Sometimes we were at full power and sometimes were were at half power etc.  Just depended on the situation.   My camera settings were : 100th of a second @ f/10.  I didn’t do a custom white balance, instead I set it to 5900 throughout the whole shoot and shot a color checker for reference.   I had another assistant shining a Maglight flashlight on the model so I could lock focus.  LOL I laughed when the client said “Isn’t that light going to affect your lighting?”

Tom you are always welcome to ask as many questions as you wish to. That is the whole reason I started this blog.  You don’t have to apologize   EVERYONE please take note:  ASK AS MANY QUESTIONS ON AS MANY POSTS AS YOU WANT.  Go back in the archives and if there is something you don’t understand or you think of a question based on the shot that I didn’t cover by all means ASK ME.   If no one asks me questions then the blog just sits still.

Also, if anyone has any suggestions of topics they would like me to cover please let me know.  I made a category specifically for this.  Go to Photography Discussion-Ask me anything about photography and ask as much as you want.  Remeber this: there is no such thing as a dumb question.  I LOVE to teach and educate.  As a matter of fact I got my Associates Degree in child psychology because originally I wanted to be a teacher.   And REMEMBER TO CLICK THAT RSS BUTTON ! 

Ahhhh yes photographing a beautiful fashion model on the beach and getting paid for it.  The ultimate dream for most beginning photographers.  I mean come on, you’re at a beautiful beach, warm sun and beautiful women right in front of you.    Well yes that is awesome.  So when I got the call from my client I was stoked UNTIL she said she wants to shoot at night.  My mind raced with every possible problem that I would face which of course the client has no clue about  because that isn’t their job to know what problems could arise.

So we have fourteen swimsuits to photograph and five different locations at Sycamore Cove up in Ventura County.  Call time was 8pm and we would shoot until 3:30am !  Ok so yes it is summer here in Los Angeles but at night especially the later it gets on the beach the temperature drops very low.  I don’t know what the temp was exactly but it was friggin cold !

Yes the model was wearing pretty much nothing, the bikini’s are VERY small but I needed my fingers to work and needed my mind to function lol.  I wore a skull cap to keep my bald head warm and a couple of sweatshirts.

Ok so enough of my bitching.  Shooting on the beach during the day is a challenge but at night it is even more challenging. We had to calculate what night and time low tide would be and schedule the shoot accordingly. We got lucky as it was a full moon so we weren’t working in pitch blackness but it was dark.  Flashlights were a must.  I had two assistants, make up, hair etc. the whole shabang.

Now of course there is no electricity down on the beach so we rented a Profoto 7B pack, two heads and some grids.  My key light had a large 4 x 6 foot Pro Foto soft box coming from camera left and up high angled down a bit. My f stop was f/8.  The light you see on the rocks behind our model  was bare bulb with the standard reflector attached and my first assistant hand held it at just the right spot.  The tide would come in and sometimes the water was too high so we had to sit there and wait until I decided was the perfect time to pull the trigger.  You can’t tell but Morgan our model was freezing her ass off .  To make matters worse this was around 2:30 am !   It was VERY VERY cold.  So here she is not moving a muscle waiting for me to fire the shot.  This shoot was definitely a challenge.  You know what’s cool ? You can’t even tell how difficult it was because the final image looks like it was a breeze.  But that is what separates the men from the boys    I would love to get some questions and comments on this post.  There is much more info I have to offer.  How in the world did I lock focus ?  But I want you guys to ask and I also want you to think about not just the technical aspects of the shoot but the psychology and how as a photographer I had to keep my model feeling beautiful even though she was freezing and wet.

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The third day of our fashion photography workshop involved learning how to light on location mixing the sun with your off camera flash and really using it off camera instead of mounting it on your camera.  One of the really cool things we did was mounted Dave’s Canon flash on a c-stand bounced into a Photoflex umbrella !   One of the benefits of mounting the flash to a c stand with the arm is that you can boom it out at any angle you want and of course you don’t end up with a photo that looks like you used harsh on camera flash.

We spent the whole day experimenting and just shooting, shooting and shooting.  I would observe Dave as he photographed the model and suggest different things to say to the model as he was shooting.  We had a nice lunch and ended up with great photos.  Dave is a great guy and learned so much.  Dave gave his testimonial however if there is something specific you would like to ask him about his three day workshop please don’t hesitate to email him.  His email is dave@daveclee.com and as always I encourage you to email or call me if you would like more information.

So you all know that I have NEVER used Photoshop to TOTALLY change my photos.  The only reason Photoshop is ever used is to smooth skin and dust spots.  But a recent shoot I did was in a classic car museum and there was no way in hell that we were going to be able to take these cars out to a location.  The solution was to change the background in Photoshop.  If we didn’t change it then the whole shoot would be a total loss.  I lit these with a ring light and some edge lights.  My digital compositor did an amazing job at creating a classy yet edgy look !  I would love to hear your opinions and thoughts !

You may view more of the series on my site.

high fashion lingerie photo shoot

This is a recent fashion lingerie advertisement that just came out.  Notice I posted this in the photography lighting on location section.  We shot this at the Bissell  house in Pasadena California.  Originally when the designer and I scouted the location we planned  the whole lighting scheme a certain way referenced from tear sheets she pulled from various magazines.  So I went over all the details with my assistants days before and brought all the gear we needed based on the ORIGINAL lighting design.

So we get to the location on the morning of the shoot and the designer decides she wants a TOTALLY different lighting design than what we had originally planned.  Well of course this is where your photography fundamentals come in and you better know your fundamentals otherwise you will never advance in this business.  I pulled my assistants aside and we discussed the changes that needed to be made in order to please the client.  Remember this:  at the end of the day pleasing your client is what will get you the call again for another shoot.

Long story short we made it happen and it didn’t take long to figure it all out.  Notice I placed this post in the lighting on location because it is on location and not just a studio where everything is controlled.  You have ambient light to deal with coming from windows and the sun is moving throughout the day.

Now in response to Stikman’s comment, yes you can go wrong even though you have great models.  Models are just objects to hang the clothes on to make the clothes look great.  Well if you don’t know how to light your models wearing the clothes, the designer will not be able to sell their clothes to buyers.  Buyers want to buy clothes, not models 

I just received this from the videographer.  This shoot was back in Dec. 4th – 8th 2008.  The client was Deliverance Poker. This was shot at Caesars Palace in Las Vegas in a really nice hotel room. I used Profoto strobes with grid spots, Chimera soft box’s and my Canon 1DS.   Enjoy !

My assistant shot some photos of me shooting that I thought you all might enjoy.   This was a shoot for NXS Hair Extensions.

Los Angeles photographer Jason Christopher

NXS Hair Shoot

beauty photo campaign

Beauty Model

This model is from Ford Model Agency.  For this shoot I kept it simple. I used just one small umbrella above and a medium silver reflector by Photoflex.  I placed a strobe on both sides of the background with a yellow gel.  The yellow gel combined with 18% gray paper gives you an olive color.  In the end though the art director decided they didn’t like that color and in post they had the retoucher just make it white.

I know this blog is mainly about fashion photography however, there are going to be many times when you will be shooting a head shot or a corporate head shot or just a family portrait. You MUST be GREAT at directing your subject. Yes fashion models you will have an easier time with because they will have experience but even the best and most experienced models want your input and energy.
Helmut Newton said it best… “My job as a portrait photographer is to seduce, amuse and entertain.”

So my first photography tip is: ➢Talk to and direct your model. Reinforce words like beautiful, nice, great, you look amazing, sexy!  Say it with energy and conviction! Your model will feed off your energy and enthusiasm.  The photographer dictates the overall tone of the shoot.  Don’t be afraid or nervous.  As a matter of fact your models expect you to direct them and WANT you to direct them !  Obviously if your shooting a family portrait you will choose different words other than sexy.  You could tell the family how handsome they all look.  Tell them what a beautiful family they are.  “Parents, you look great!”

Stay tuned for another tip coming soon

Model Bobbi Sue Luther

So I finally made slide show of some of my beauty images and even added music !  I have to admit I am still learning IMovie.  I would love to get some feedback on the video.