Jason Christopher, LA Commercial & Fashion Photographer Bio

So I finally got some images back from Shawn Johnson.  I photographed her line of gymnast’s clothing for a catalog.  We shot on a white background.  That day I only had four hours with her and that included make up and hair !

She was still on Dancing With the Stars so her time was very limited.  So this is one of the photos from the catalog.

Shawn Johnson Gold Medalist

Shawn was a joy to work with and very professional.  We all had a blast and it was also the shortest shoot I have ever done lol.

Hi everyone.

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Thanx !!

Recently I photographed a beautiful fashion model for an editorial.  As you all know I like to keep my  fashion lighting very simple and raw concentrating more on the emotion and feeling of a photograph.  I decided to shoot in a hotel room on a bed with white sheets.  The only photo gear I brought was of course my camera, lenses and my Canon 580 EX II.

For this particular shot though I used the night stand lamp and  that’s it.  I took off the lamp shade which revealed two very bright energy efficient bulbs.  Then I put the lamp on an upside down trash can set just out of frame.  I wanted a really grainy look so I set my 5D Mark 2 ISO to 1000, put it on sticks and set my exposure to 1/25th @f/5.  If any of you “pros” out there think I am giving away a secret well you’re wrong.  You wanna know why you’re wrong ?  I learned this technique from Helmut Newton.  Now go take your secrets and ………

Ok I got that off my chest lol.  So now this is where the real seasoned photographer needs to come out.  I have a half naked 19 year old young girl on a hotel bed.  You think she feels really confident and secure ?  No, she doesn’t.  So it is my job to earn her trust, let me dig deep into her soul and capture her soul on film, well a CF card lol. I shot this in color and in post changed it to black and white.  If anyone has ANY questions please ask !

lingerie model photographed on bed

I recently got the chance to use a Photoflex 5 foot Octabank and am very pleased with the results.  In this photo I attached an egg crate fabric grid on the front ( not visible in this pic) and boy do I love it.  The grid directs light only on to your model and keeps it off the background.  I put a 30 degree grid on the back light aiming it right at the model as well as into the lens so I could get some flair for effect.  Now I wanted to show you this because this is in my condo.  It’s not a huge place.  The shooting space is about 500 square feet. You don’t always need a huge professional studio to create photographs.

Photoflex Octabank

Fashion Photography Workshop

The photo below shows the result.  Notice in the first photo you can see I am using gray background paper.  With the grid attached to the octabank it keeps all the light on your model.  It’s a much more dramatic look.

Hi everyone !

I had spine surgery last week Aug. 26th and have not been able to attend to my blog or anything else for that matter.  So if you are wondering what happened to your question this is why it has not been answered.  So I am sitting down now to take care of business !

Just to let you all in on a little secret, I am a true metal head lol.   In Dec of 2007 I had a 5 level Lumbar Laminectomy and cervical fusion.  It totally sucked.  The recovery was horrible and very difficult.  Check out my x-rays

So here you can see the head of each 1.5 inch long titanium screws. This is looking at the back of my neck. Pretty  insane.Within this year and a half the level below my fusion collapsed causing the vertebrae to get pushed in to my spinal cord and totally wore out the disc of cushion. This caused major pain. So they had to go in and move the vertebrae off of the spinal cord, then put in a spacer to separate the two vertebrae.  I’m trying to get x-rays of this latest surgery. Anyway that is the bottom line, now let’s get back to work !

Another successful fashion photography workshop. This time photographer Ken Davie came up from San Diego ! Super nice guy and very eager to learn. I LOVE when I get photographers in here who want to learn ! So with Ken his main issue was that he was intimidated when directing the model, make up artist and wardrobe stylist. Basically he needed to learn how to take charge of his own shoot which is not as easy as one might think.

We started off day one with Ken just observing me. He observed how I handled the photo shoot from start to finish. Started off with the make up process, discussing concepts for wardrobe and lighting.

We shot in studio and outdoors on location. Day two of the workshop I took Ken to an outdoor location. Obviously the best time to shoot outdoors is the last couple hours of the day. Well, when shooting an assignment you don’t have that luxury to only shoot in the last two hours of the day. When you have to shoot a catalog, editorial or advertisement you shoot all day. So I showed Ken how to shoot great photos at anytime of the day including mid day when the sun is at the worst possible position. By using scrims and placing the model in certain areas you can achieve great lighting at any time of the day.

Ken had come from a background of shooting product and he wants to make the switch to shooting people, a MUCH different process. Here are some results of Ken’s workshop. I have video but I am trying to learn how to edit it. If anyone would be willing to offer their service to edit please contact me.

High fashion photography

Beauty photo from my fashion photography workshop

This is another photo from our late night fashion swimsuit shoot.  This time I only used the one 4′x6′ soft box in a horizontal position about 5 feet from the model.  But this time I tilted it up so that the log wouldn’t be so bright and what that also did was throw some light on the background sand.  I could have used a black cutter set under the box to block out some of the light but I didn’t have one lol.  My camera settings were ISO 200 , 1/80th @ f/10.  I used my Canon 28-70mm 2.8 L series lens and shot it at 30mm.  This means I was very close to the model and zoomed out wide.  I did this because I wanted to include more of the scene.  Remember, the longer the lens you use the more narrow your field of view is.  Of course the opposite is true with a wide lens.  Oh and I was sitting under the soft box.  I’ll make a diagram and post that.

Hi Gilbert, this is for you   I love it ! Thank you for the GREAT questions and requests.  This is the feedback that is nice to get because I really want to make everyone happy.  This is exactly what I want from everyone. Interaction, communication is a two way street.  Ok so check out the photo lighting diagram below.

Photography lighting diagram

I tried something different this time by actually putting the shot in the diagram.  Tom, thank you for the compliments. I apologize for not posting in awhile.  I’ve been slammed with shooting which also means I have a ton of content to write about.

The soft box was pointed at the model of course and angled down to produce a nice sculpting effect.  It was placed on a c-stand about six feet sway from the model.  I was sitting on the beach sand right under the soft box.  I could have lit the totally dark background but my client wanted it to go totally black so that’s what I did.  I offered my suggestion but in the end the client has the final say.  I didn’t use another light to hit her hair because in MY opinion it would look too much like glamour lighting.  With fashion lighting you don’t always want your lighting to look “perfect”, like it was a template you used from a “how to” book.  When shooting portraits that’s different.  As you can see the rock right behind the model is lit so that gave me some separation with her hair.

The pack I used is a Profoto 7B and yes I had a second battery that was sitting in the charger and I eventually had to use it.  I didn’t use a generator because the state charges alot extra to use one and the permit was already $1,200, which included a state park ranger with us the whole time and a lifeguard.  If the shoot was during the day the permit would only be $65 because you aren’t required to have a ranger and a lifeguard there the whole time.  BTW the county says that if ANYONE on the crew is going to be in at least ankle deep water a lifeguard must be with you the whole time.  Remember this is only for a night shoot.

Morgan did have a robe and between lighting set ups she had a nice warm 100 foot RV to relax in and fresh coffee which I took advantage of as well while my assistants set up the next shot.    Now as we were shooting there was no way for her to stay warm.  That comes from her own inner strength and me constantly talking to her to keep her mind off the cold.

The power output varied from each set up.  Sometimes we were at full power and sometimes were were at half power etc.  Just depended on the situation.   My camera settings were : 100th of a second @ f/10.  I didn’t do a custom white balance, instead I set it to 5900 throughout the whole shoot and shot a color checker for reference.   I had another assistant shining a Maglight flashlight on the model so I could lock focus.  LOL I laughed when the client said “Isn’t that light going to affect your lighting?”

Tom you are always welcome to ask as many questions as you wish to. That is the whole reason I started this blog.  You don’t have to apologize   EVERYONE please take note:  ASK AS MANY QUESTIONS ON AS MANY POSTS AS YOU WANT.  Go back in the archives and if there is something you don’t understand or you think of a question based on the shot that I didn’t cover by all means ASK ME.   If no one asks me questions then the blog just sits still.

Also, if anyone has any suggestions of topics they would like me to cover please let me know.  I made a category specifically for this.  Go to Photography Discussion-Ask me anything about photography and ask as much as you want.  Remeber this: there is no such thing as a dumb question.  I LOVE to teach and educate.  As a matter of fact I got my Associates Degree in child psychology because originally I wanted to be a teacher.   And REMEMBER TO CLICK THAT RSS BUTTON ! 

Ahhhh yes photographing a beautiful fashion model on the beach and getting paid for it.  The ultimate dream for most beginning photographers.  I mean come on, you’re at a beautiful beach, warm sun and beautiful women right in front of you.    Well yes that is awesome.  So when I got the call from my client I was stoked UNTIL she said she wants to shoot at night.  My mind raced with every possible problem that I would face which of course the client has no clue about  because that isn’t their job to know what problems could arise.

So we have fourteen swimsuits to photograph and five different locations at Sycamore Cove up in Ventura County.  Call time was 8pm and we would shoot until 3:30am !  Ok so yes it is summer here in Los Angeles but at night especially the later it gets on the beach the temperature drops very low.  I don’t know what the temp was exactly but it was friggin cold !

Yes the model was wearing pretty much nothing, the bikini’s are VERY small but I needed my fingers to work and needed my mind to function lol.  I wore a skull cap to keep my bald head warm and a couple of sweatshirts.

Ok so enough of my bitching.  Shooting on the beach during the day is a challenge but at night it is even more challenging. We had to calculate what night and time low tide would be and schedule the shoot accordingly. We got lucky as it was a full moon so we weren’t working in pitch blackness but it was dark.  Flashlights were a must.  I had two assistants, make up, hair etc. the whole shabang.

Now of course there is no electricity down on the beach so we rented a Profoto 7B pack, two heads and some grids.  My key light had a large 4 x 6 foot Pro Foto soft box coming from camera left and up high angled down a bit. My f stop was f/8.  The light you see on the rocks behind our model  was bare bulb with the standard reflector attached and my first assistant hand held it at just the right spot.  The tide would come in and sometimes the water was too high so we had to sit there and wait until I decided was the perfect time to pull the trigger.  You can’t tell but Morgan our model was freezing her ass off .  To make matters worse this was around 2:30 am !   It was VERY VERY cold.  So here she is not moving a muscle waiting for me to fire the shot.  This shoot was definitely a challenge.  You know what’s cool ? You can’t even tell how difficult it was because the final image looks like it was a breeze.  But that is what separates the men from the boys    I would love to get some questions and comments on this post.  There is much more info I have to offer.  How in the world did I lock focus ?  But I want you guys to ask and I also want you to think about not just the technical aspects of the shoot but the psychology and how as a photographer I had to keep my model feeling beautiful even though she was freezing and wet.

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A fashion photo shoot with one of the NFL’s top players, Terrell Suggs. When I got the call I couldn’t contain my excitment !

This is one photo that I love and it happened by accident.  We shot at Beachwood Studio in Hollywood, great studio by the way.  The ceiling has skylights and they have a door that you can close to block out the light or open it to let the light in.  Well while we were shooting the doors were open and at one point I noticed how cool the light falling on the models looked.  I turned  to my first assistant and told him to look at it and he agreed that it looked really dramatic and interesting.  So we shut off  the strobes and clicked away.  The bottom catch light you see in the male model on the right is a 4′x8′ white board that my second assistant was holding under them to bounce some light back into the shadows.

Now granted, this kind of lighting really works best with male models.  Yes there are some hot spots but so what ?  Fashion is not about perfect exposures.  Fashion is about experimenting and thinking outside the box because there is no right or wrong.  It’s all subjective.

So the major point I want to stress here is that no matter where you are shooting, no matter how much time you have spent planning, be open to other opportunities.  As photographers we are observers.  I was and still am the guy that hangs at the back of the room at a party and watches and studies the people and how they act, interact etc.  Always observe your surroundings.  We have a sixth sense so use it !

Now back to the shoot. This was by far the most fun I had on a shoot.  Terrell Suggs is a monster on the field.  Look him up. He is a killing machine.  Off the field he is the most humble and nicest person I have ever met.  He speaks very quietly and is very calm and controlled.  Terrell flew his best friends out from Arizona to take part in the shoot.  These guys have never done a photo shoot before so they were in heaven especially when they saw the five female models we casted.  As soon as we started setting up I hear rap and R&B blaring from the sound system.  I look over and there are nine guys dressed in beautiful suits dancing and gettin jiggy wit it !  LOL   You would have thought you were at a club instead of a photo shoot.  The mood was fun, happy and very light. Meanwhile I am blocking it all out because of course I had to concentrate and direct my assistants.  The lighting set up was pretty interesting.  I’m going to make a lighting diagram and post it.

The music didn’t for the whole 10 hour day. I seriously have not laughed like that ever in my life.  Here are some more photos and they haven’t gone through post yet. I don’t mind showing my work right out of the camera because I shoot to get it as close to perfect straight out of the camera.  The theme for the shoot was James Bond.  The photos will be used for Terrell’s charity event to support Sickle Cell Anemia research which will be held in Baltimore Sept. 11th – 13th.   As always please comment, ask questions and subscribe to the RSS feed !