Jason Christopher, LA Commercial & Fashion Photographer Bio

Just an update about my private fashion photography workshops for you all.  They are going great !  I just had the pleasure of working with Jeff Corzine.  Jeff is from Malibu and we spent two days with a great model and make up artist.  We went over certain lighting techniques and when I taught him how to properly use the Canon 580EX II he was blown away by all the great features this flash has to offer and the amazing images one can achieve with it.

Jeff also learned how to direct a fashion model to achieve amazing results just by talking to your model and choosing the right words so she can act out a situation and a feeling in her head which translates to film, or in this case the final digital image.

I will post some images from our workshop very soon !  If you would like to know more about my photography workshops please contact me via phone or email  and I will be happy to discuss details with you.

Ok here are a couple images from our workshop. This first shot the model is dressed in a long beautiful form fitting gray dress. I didn’t want to light the whole dress from top to bottom. I wanted her brighter at the top and gradually get darker as the light falls lower. So I feathered the medium soft box. It was raised high above the model and tilted down so that the bottom part of the soft box hits from the middle just barely enough down to the bottom. I didn’t want the bottom of the dress to go totally black. I directed the model to keep her poses towards her key light. And in this case there was only one light anyway. That is also how you see that HER LEFT side goes a bit darker. I placed the light slightly in front of her so that it wraps around her but not too much. If I had put the soft box directly on her right side the left side of her would go completely dark which I didn’t want.  The second photo shows how to use fill flash without getting that harsh look.  I explained how I achieved this in the previous post in the gear review of the Canon 580 EX II.  Again, any questions please ask.

Cheers,

Jason

This is a very popular beauty photo of mine that everyone asks how I lit and how I got the cool looking catch lights.   I want to clarify a couple things first though.  Catch lights are the reflection one sees in the pupil of the eye of the actual light modifier that the photographer uses.  How a photographer creates those catch lights is based upon which light modifier he or she uses.

So catch lights can be in the form of an umbrella, a soft box, a beauty dish, a Mola reflector , a bare bulb, a Photoflex or Westcott reflector etc.  And it is where you place those light modifiers that determine where you see the catch light / reflection of your light modifier.  Ok so with that said here is the photo that demonstrates my use of a small umbrella and a round 36″ silver Photoflex reflector.

In this next photo I show you the close up of the eyes so you can actually see the metal splines of the umbrella on top of the pupil and the round silver reflector on the bottom of the pupil.

I created a lighting diagram for you.  In this beauty lighting diagram the background paper is gray in color.  The model is about 9 feet from the background.  The strobe that is behind the model is facing the back of her hair and is placed 3 feet away from the model and is one and a half stops brighter than the main light.  The ratio will vary depending on the lightness or darkness of the hair color.  The strobe is on a stand and the same height as the model’s head.

The umbrella I am using is a Westcott  32″ white satin with the black backing left on it.  I place it right in front of the model and above eye level as you can see in the catch light.  It’s about 4 feet away from the model.  I am standing right under it.

The silver Photoflex umbrella is placed on a Westcott reflector arm at breast level and I angle it until I like the amount of  fill.  This is subjective to each photographer.

Be sure to click the images so you can see them much larger.  Lighting techniques like this are part of what I teach in my private photography workshops.  We learn one on one as you watch me set up the lighting , shoot and direct the model.  Then it is your turn to shoot and direct the model.  Hands on experience is vital to learning.  I welcome your comments, questions and thoughts.

I know you all like behind the scenes photos and videos. I posted the video and now I am posting some photos of me shooting a real fashion shoot !
I had a wonderful crew who worked VERY hard for me and the results are amazing !

You can see how simple the lighting is and yet how effective it is. Those glass panels were lit with two Speedotron units. I decided to do this because I know that frosted glass, which is what those panels are made of, would diffuse the light and wrap around her creating a “heavenly” look and what is the name of the clothing line ?  Gods Daughter.

So as photographers we don’t just click a shutter button. We come up with the concepts that will tell the story behind the clothes.  Notice in the last photo the top of the glass wall comes up to her calves.  One wrong step and she would have fallen 20 stories.  Yes I do whatever it takes to get the shot. 

Outdoor fashion lighting can be a problem with some photographers.  We have the elements to deal with, the hot sun, the constantly moving sun, wind etc.  Add the fact that if it is a test you can’t afford to hire an assistant to lug heavy lighting gear around for you.  Most of us don’t own a Profoto 7B pack because they cost around $4,000 to $5,000.  So what does one do ?

Outdoor Lighting With a Speed Light

I shot this fashion photo with one Canon 580EXII and that’s it.  No bounce cards or any attachments to the flash and it was attached to the hot shoe, not off camera.  The time of day was 1:25 pm.

As you can see the sun is facing the model.   Many photographers would think you don’t need a flash, the sun is hitting her.  Well that all depends on the look you are going for.  I like to use flash no matter where the sun is.  In this case the flash brings out the details more and gives the image a crisper look.

So I put my flash on the camera I was standing about 6 feet away from the model on a wide lens, 44mm so I could capture the entire scene around her.  I set my flash to hi speed sync mode so I could shoot at 500th shutter speed.  Why shoot at such a high shutter speed ?  So I could capture a nice blue sky and not blow out the background.  My  fstop was 6.3 ISO was 160.  Now when you use such a fast shutter speed you obviously need to demand more power from your flash.  Also using an fstop of 6.3 demands more power.  So I set my flash exposure compensation to plus 3 stops !  I also set my zoom head on the flash to 80mm instead of letting it set itself to 44mm automatically.  As you can imagine I was asking my flash to do alot and demanding a ton of power.  So I had a Quantum batter pack attached to it to give the flash the extra power it needed.  And that is really all I did with this shot.  I didn’t haul out the Profoto 7B with a beauty dish and another light for her hair.  I positioned her so that her hair was lit by the sun and my key light was my flash.

This situation is why I cannot stress enough that you MUST  know your fundamentals.  If I had put the camera on auto then this shot would look nothing like you see now.  ** This and many other photography fundamentals are techniques I teach you in my fashion photography workshop. It’s a two day workshop and you come out knowing MUCH more than you did when you first walk in.  Check out the workshop page for more info and please feel free to call or email me with any questions you have concerning  the workshop.**

If you have any comments or questions about this post, ask away ! 

So I finally got some images back from Shawn Johnson.  I photographed her line of gymnast’s clothing for a catalog.  We shot on a white background.  That day I only had four hours with her and that included make up and hair !

She was still on Dancing With the Stars so her time was very limited.  So this is one of the photos from the catalog.

Shawn Johnson Gold Medalist

Shawn was a joy to work with and very professional.  We all had a blast and it was also the shortest shoot I have ever done lol.

Hi everyone.

I installed a plugin that notifies you when I have responded to your comment.  When I tested it on friends, the notification went to their spam folder. So please check your spam folders and if  my notiification is there,  mark it as not spam to ensure delivery to your inbox from now on.

Thanx !!

Recently I photographed a beautiful fashion model for an editorial.  As you all know I like to keep my  fashion lighting very simple and raw concentrating more on the emotion and feeling of a photograph.  I decided to shoot in a hotel room on a bed with white sheets.  The only photo gear I brought was of course my camera, lenses and my Canon 580 EX II.

For this particular shot though I used the night stand lamp and  that’s it.  I took off the lamp shade which revealed two very bright energy efficient bulbs.  Then I put the lamp on an upside down trash can set just out of frame.  I wanted a really grainy look so I set my 5D Mark 2 ISO to 1000, put it on sticks and set my exposure to 1/25th @f/5.  If any of you “pros” out there think I am giving away a secret well you’re wrong.  You wanna know why you’re wrong ?  I learned this technique from Helmut Newton.  Now go take your secrets and ………

Ok I got that off my chest lol.  So now this is where the real seasoned photographer needs to come out.  I have a half naked 19 year old young girl on a hotel bed.  You think she feels really confident and secure ?  No, she doesn’t.  So it is my job to earn her trust, let me dig deep into her soul and capture her soul on film, well a CF card lol. I shot this in color and in post changed it to black and white.  If anyone has ANY questions please ask !

lingerie model photographed on bed

I recently got the chance to use a Photoflex 5 foot Octabank and am very pleased with the results.  In this photo I attached an egg crate fabric grid on the front ( not visible in this pic) and boy do I love it.  The grid directs light only on to your model and keeps it off the background.  I put a 30 degree grid on the back light aiming it right at the model as well as into the lens so I could get some flair for effect.  Now I wanted to show you this because this is in my condo.  It’s not a huge place.  The shooting space is about 500 square feet. You don’t always need a huge professional studio to create photographs.

Photoflex Octabank

Fashion Photography Workshop

The photo below shows the result.  Notice in the first photo you can see I am using gray background paper.  With the grid attached to the octabank it keeps all the light on your model.  It’s a much more dramatic look.

Hi everyone !

I had spine surgery last week Aug. 26th and have not been able to attend to my blog or anything else for that matter.  So if you are wondering what happened to your question this is why it has not been answered.  So I am sitting down now to take care of business !

Just to let you all in on a little secret, I am a true metal head lol.   In Dec of 2007 I had a 5 level Lumbar Laminectomy and cervical fusion.  It totally sucked.  The recovery was horrible and very difficult.  Check out my x-rays

So here you can see the head of each 1.5 inch long titanium screws. This is looking at the back of my neck. Pretty  insane.Within this year and a half the level below my fusion collapsed causing the vertebrae to get pushed in to my spinal cord and totally wore out the disc of cushion. This caused major pain. So they had to go in and move the vertebrae off of the spinal cord, then put in a spacer to separate the two vertebrae.  I’m trying to get x-rays of this latest surgery. Anyway that is the bottom line, now let’s get back to work !

Another successful fashion photography workshop. This time photographer Ken Davie came up from San Diego ! Super nice guy and very eager to learn. I LOVE when I get photographers in here who want to learn ! So with Ken his main issue was that he was intimidated when directing the model, make up artist and wardrobe stylist. Basically he needed to learn how to take charge of his own shoot which is not as easy as one might think.

We started off day one with Ken just observing me. He observed how I handled the photo shoot from start to finish. Started off with the make up process, discussing concepts for wardrobe and lighting.

We shot in studio and outdoors on location. Day two of the workshop I took Ken to an outdoor location. Obviously the best time to shoot outdoors is the last couple hours of the day. Well, when shooting an assignment you don’t have that luxury to only shoot in the last two hours of the day. When you have to shoot a catalog, editorial or advertisement you shoot all day. So I showed Ken how to shoot great photos at anytime of the day including mid day when the sun is at the worst possible position. By using scrims and placing the model in certain areas you can achieve great lighting at any time of the day.

Ken had come from a background of shooting product and he wants to make the switch to shooting people, a MUCH different process. Here are some results of Ken’s workshop. I have video but I am trying to learn how to edit it. If anyone would be willing to offer their service to edit please contact me.

High fashion photography

Beauty photo from my fashion photography workshop